Mapping the movies: Sindisiwe Kumalo’s cinematic cartography of KZN

IN the vibrant world of film production, the unseen artistry of a location scout can transform landscapes into cinematic protagonists. Sindisiwe Kumalo, a KwaZulu-Natal-born location scout supported by the KwaZulu-Natal Tourism and Film Authority (KZNTAFA), has become one such storyteller through space. 

Her work on productions like The River, Wesley's South African Christmas, and the Burnt Onion production Disaster Holiday-which won the Simon Mabhunu Sabela Award for Best Use of KZN as a Filming Location - speaks volumes about her talent.

KZNTAFA has a panel of location scouts and photographers to facilitate film productions throughout KZN providing images and identifying locations for film makers and Kumalo is one of them.

Kumalo, who is the CEO of Durban Film Production, said: “I was born and raised in KZN, where I began my journey as a runner, assisting with production on a voluntary basis. My passion for movies and storytelling blossomed, and it was during my initial training with Durban Film Office that I developed a deep appreciation for locations. 

"This profession demands a sharp visual sensibility. I consider myself an adventurous individual, and this role necessitates that spirit, allowing me to explore a variety of settings, from bustling urban areas to serene natural landscapes, which I find incredibly attractive,” Kumalo reflects.

For her, selecting a location is more than aesthetics - it’s about bringing narrative to life. “The location scout is essential in transforming narratives into reality by identifying the perfect filming locations. I envision how the chosen site will integrate into the storyline. It encompasses the aesthetic and atmosphere, as well as the contribution it can make to the overall production,” she explains.

Kumalo’s keen eye extends to underappreciated corners of the province. “The Drakensberg region is characterized by numerous forests, rivers, and dams, making it an exceptionally picturesque location for filming. Currently, the challenge at hand involves a prison, and I am attempting to contact the head office concerning these properties.”

Her contributions are not limited to visual storytelling - they carry economic significance. “KZN locations enhance the economy due to the significant expenditure on venues and accommodations during film shoots in KZN. This not only generates employment opportunities but also contributes to the province's GDP. 

‘’Many filmmakers from Cape Town, as well as international and Johannesburg-based professionals, contact me during the festive season to inquire about suitable vacation spots and affordable lodging options for their families or friends.”

The recce process can sometimes present complex cultural challenges: She goes on: “In KZN, conducting a challenging reconnaissance becomes particularly difficult when you are faced with a team that believes they are familiar with the area, yet their understanding is entirely different from reality.’’

This situation is exacerbated when the production team arrives without prior consultation, forcing you to engage with the chiefs (izinkosi) at the last minute. ‘’Such individuals can complicate your efforts significantly; for instance, if you scout a house today, the producers may return after three months only to find that the owners have altered the property from its original state as you first encountered it,” she says.

Kumalo brings a unique touch as a woman in this role, forging strong relationships with property owners and ensuring consistency. “I excel at establishing relationships with property owners and managing the locations. I ensure that the locations remain consistent with their initial presentation. 

"Many property owners prefer to communicate with me as a female scout, which provides a distinct advantage. Additionally, I possess the ability to work effectively under pressure, which is another asset I contribute."

When asked what KZN’s landscapes would say if they could speak, she offers a poetic rendering: “The KZN landscape will reveal the true essence of hospitality that is truly remarkable. It demonstrates how nature and love can harmoniously coexist.”

Kumalo also serves on the panel of location scouts within KZNTAFA - shaping policy and strategy for how the province is represented in film. 

Her advice for fellow young women entering the field is frank and practical: “Thorough preparation and effective networking by attending workshops and film festivals are essential for a location scout. Possessing the finest equipment is always vital. It is imperative to maintain professionalism at all times. In addition to these aspects, a location scout must also complete necessary paperwork, and having reliable internet access is important.’’

The role of a location scout may appear to be a straightforward choice; however, it presents challenges, particularly for women, she adds. ’To succeed as a scout, one must possess a camera, a car, and a laptop; without this essential equipment, it is unfeasible to perform the duties of a scout. Additionally, effective management of these locations is necessary to ensure their upkeep.’’

Through Kumalo’s eyes, villains do not just tread paths - they shape stories. Every hill, riverbank, and hidden valley becomes a character itself. 

Kumalo is not just mapping locations - she’s mapping the soul of KwaZulu-Natal onto the cinematic canvas.

SUNDAY TRIBUNE